Reminds me of my surfing days in Southern California. Background was inspired by a 1960s surfboard design by Hap Jacobs. The song, Stoked, is by The Beach Boys.
Stoked
Category: Oil
Ridge where the west commences
As soon as I saw this place I instantly thought of the song “Don’t Fence Me In” as sung by Gene Autry. It’s a view, looking due West, towards the headwaters of the of the Rio Grande river (in the distant mountains). The view is from Brown’s Lake Overlook (AKA Weminuche Wilderness Vista) along the Silver Thread Scenic Highway (CO 149).
Go where there is no path and leave a trail
My path paintings are about journeys, not destinations. The title is from a quote by Muriel Strode (often misattributed to Emerson. Fulll quote: “I will not follow where the path may lead, but I will go where there is no path, and I will leave a trail. ”
Moonrise over the San Luis Valley, Colorado
On a cool evening, the feeling of a moonrise over the Sangre de Cristo mountains. Looking East from near Alamosa, Colorado. Three 14,300+ foot (4359 m) peaks are visible towards the right: Ellingwood, Blanca (Sisnaajini), and Little Bear.
Sanger de Cristo Peaks near Alamosa, CO
Three fourteen thousand foot (4268 meter) peaks, east of Alamosa, Colorado. Viewed in the summer time. The peaks, from left to right, are Ellingwood Point, Blanca Peak (Sisnaajini in Diné), and Little Bear Peak
Yes?
What would it be like to travel to Delphi and meet the Oracle. What would you say? What would you ask?
I used experiences from my travels and incorporated colors and symbols from earlier renditions of oracles and symbols to create a possible reality about being in the presence of the Oracle
Evolution of Art
Visual art is constantly evolving. The only common denominator is the expression of human thoughts, ideas, and feelings. Is there a next step? Can there be art without humans? My allegorical paintings are painted in oil on canvas. I rarely use any mediums other than Gamsol solvent.
Self Portrait, v. 2016
Living things exude mood and energy, but this presence can only be understood in relation to context. Thus, figure and ground exist in symbiotic dualism; both independent, yet one does not exist without the other. Understanding is derived from their interdependence.